Feb
26
Raging Fyah | Nattali Rize

all good news

 
Tribal Seeds
Raging Fyah | Nattali Rize | @9:30 club | view more info »
Feb
26

Tribal Seeds

Raging Fyah
Nattali Rize

Sunday Feb 26|doors 7:00 pm|all ages
9:30 club|get directions »
815 V Street NW
Washington DC|p: (202) 265-0930


Tribal Seeds

official band site »

From San Diego, California, award-winning reggae group Tribal Seeds have become known for their spiritually driven, refreshing rock vibe they have infused with the roots style of reggae music. Originally started by two brothers, Steven Rene Jacobo (lyrics, lead vocals, guitar) and Tony-Ray Jacobo (producer, keyboards, vocals). Tribal Seeds now boasts six members, including: Carlos Verdugo (drums), Victor Navarro (bass), E.N Young (keyboards, vocals) & Ryan Gonzo (guitar, vocals).

Tribal Seeds’ unmatched musical talent and authentic sound has brought them to the forefront of the reggae rock genre, as their art form has reached people of all ages across the United States, and worldwide. The band’s debut, self titled album “Tribal Seeds” was released in 2008 with their second album “The Harvest” following, June of 2009. iTunes named both albums “Best Of” in the Reggae genre, for their respected years. Their debut album helped garner them the “Best World Music” title at the San Diego Music Awards in 2008, and “The Harvest,” which contained fourteen new and original songs, debuted at the number 5 spot on the Billboard Reggae Charts. The tracks, written and produced by Tribal Seeds, were recorded and mixed by Alan Sanderson at Signature Sound Studios in San Diego, and mastered by Erik Lobson at Universal Mastering.

On July 19, 2011, Tribal Seeds gave listeners a brand new EP entitled “Soundwaves,” which peaked at number 2 on the Billboard Reggae Charts. The band notes that the album was inspired by their life experiences, being on tour, and their desire to inspire youth to raise their voices and seek a higher consciousness.

Tribal Seeds released their highly anticipated fourth album, “Representing” on May 13, 2014. The new album debuted at Number 1 on the Billboard, iTunes & Amazon Reggae charts, and cracked the Top Billboard 200 at Number 114 overall. The album contains 12 original recordings and features some of the genres favorite stars: Don Carlos, Mykal Rose, Kyle McDonald (Slightly Stoopid), Vaughn Benjamin (Midnite), New Kingston and the band’s own, Maad T-Ray and lead guitarist Gonzo.

Tribal Seeds have toured throughout the United States, as well as internationally (Mexico, Guam, Tahiti & Aruba). They have shared the stage with artists such as Dave Matthews Band, Jack White, Red Hot Chili Peppers, Jane’s Addiction, Skrillex, MGMT, Cee Lo Green, Jason Mraz, Matisyahu, Sublime with Rome, Taking Back Sunday, O.A.R., Pretty Lights, Steel Pulse, The Wailers, Pepper, Collie Buddz, Julian Marley, Stephen Marley, Gregory Isaacs, SOJA, Rebelution, and many more.


Raging Fyah

official band site »

Regarded as one of Jamaica’s most promising young acts, the band Raging Fyah makes music that is tethered to their island’s enduring, much emulated roots rock reggae tradition yet is distinguished by an expansive vision that propels their musical journey forward. The five piece band from Kingston, Jamaica, received critical acclaim for the intricate harmonies, nuanced musicianship and impressive songwriting skills showcased on their previous self-released albums, Judgement Day (2011) and Destiny (2014), earning comparisons to legendary reggae outfits including England’s Aswad and Steel Pulse, and Jamaica’s beloved Third World.

Nattali Rize

official band site »

NATTALI RIZE – Ask her where she comes from, she’ll tell you “All Directions”. In line with her philosophy she claims not to belong to any nation state but to the ever evolving community of conscious thinkers and creators anywhere & everywhere. Of mixed global heritage, with dominant Native American and Samoan roots, Nattali Rize has been known around the world for her work fronting epic roots band Blue King Brown as well as for her unwavering commitment to using her voice and music for the global struggle toward the realization of Full Freedom and the movement of Truth and Justice over the systemic exploitation of the people and our planet.


 
Railroad Earth
Cris Jacobs | @9:30 club | view more info »
Mar
10

Railroad Earth

Cris Jacobs


Friday Mar 10|doors 7:00 pm|all ages
9:30 club|get directions »
815 V Street NW
Washington DC|p: (202) 265-0930


Railroad Earth

official band site »

There’s a great scene in The Last Waltz – the documentary about The Band’s final concert – where director Martin Scorsese is discussing music with drummer/singer/mandolin player Levon Helm. Helm says, “If it mixes with rhythm, and if it dances, then you’ve got a great combination of all those different kinds of music: country, bluegrass, blues music, show music…”

To which Scorsese, the inquisitive interviewer, asks, “What’s it called, then?” “Rock & roll!”

Clearly looking for a more specific answer, but realizing that he isn’t going to get one, Marty laughs. “Rock & roll…”

Well, that’s the way it is sometimes: musicians play music, and don’t necessarily worry about where it gets filed. It’s the writers, record labels, managers, etc., who tend to fret about what “kind” of music it is.

And like The Band, the members of Railroad Earth aren’t losing sleep about what “kind” of music they play – they just play it. When they started out in 2001, they were a bunch of guys interested in playing acoustic instruments together. As Railroad Earth violin/vocalist Tim Carbone recalls, “All of us had been playing in various projects for years, and many of us had played together in different projects. But this time, we found ourselves all available at the same time.”

Songwriter/lead vocalist Todd Sheaffer continues, “When we started, we only loosely had the idea of getting together and playing some music. It started that informally; just getting together and doing some picking and playing. Over a couple of month period, we started working on some original songs, as well as playing some covers that we thought would be fun to play.” Shortly thereafter, they took five songs from their budding repertoire into a studio and knocked out a demo in just two days. Their soon-to-be manager sent that demo to a few festivals, and – to the band’s surprise – they were booked at the prestigious Telluride Bluegrass Festival before they’d even played their first gig. This prompted them to quickly go in and record five more songs; the ten combined tracks of which made up their debut album, “The Black Bear Sessions.”

That was the beginning of Railroad Earth’s journey: since those early days, they’ve gone on to release five more critically acclaimed studio albums and one hugely popular live one called, “Elko.” They’ve also amassed a huge and loyal fanbase who turn up to support them in every corner of the country, and often take advantage of the band’s liberal taping and photo policy. But Railroad Earth bristle at the notion of being lumped into any one “scene.” Not out of animosity for any other artists: it’s just that they don’t find the labels very useful. As Carbone points out, “We use unique acoustic instrumentation, but we’re definitely not a bluegrass or country band, which sometimes leaves music writers confused as to how to categorize us. We’re essentially playing rock on acoustic instruments.”

Ultimately, Railroad Earth’s music is driven by the remarkable songs of front-man, Todd Sheaffer, and is delivered with seamless arrangements and superb musicianship courtesy of all six band members. As mandolin/bouzouki player John Skehan points out, “Our M.O. has always been that we can improvise all day long, but we only do it in service to the song. There are a lot of songs that, when we play them live, we adhere to the arrangement from the record. And other songs, in the nature and the spirit of the song, everyone knows we can kind of take flight on them.” Sheaffer continues: “The songs are our focus, our focal point; it all starts right there. Anything else just comments on the songs and gives them color. Some songs are more open than others. They ‘want’ to be approached that way – where we can explore and trade musical ideas and open them up to different territories. But sometimes it is what the song is about.”

So: they can jam with the best of them and they have some bluegrass influences, but they use drums and amplifiers (somewhat taboo in the bluegrass world). What kind of music is it then? Mandolin/vocalist John Skehan offers this semi-descriptive term: “I always describe it as a string band, but an amplified string band with drums.” Tim Carbone takes a swing: “We’re a Country & Eastern band! ” Todd Sheaffer offers “A souped-up string band? I don’t know. I’m not good at this.” Or, as a great drummer/singer/mandolin player with an appreciation for Americana once said: “Rock & roll!”


Cris Jacobs

official band site »

Whether alone with just the guitar and his voice or surrounded by a full band, Cris Jacobs enchants listeners with his inspired, poignant songwriting, virtuous guitar playing, and soulfully transcendent voice. Artists across the board have discovered Jacobs’ musicianship and supple versatility, resulting in an impressive variety of formats in which he has played over the last few years.

After a decade, five records, and 200 shows a year as principal songwriter and frontman for beloved Baltimore-based band The Bridge from 2001-2011, Jacobs wasted no time continuing to write music of his own and exploring different configurations for his craft. He released his debut solo album, Songs for Cats and Dogs, in 2012, and continued to perform relentlessly, both with his new band and as a solo artist. In doing so, he quickly garnered the admiration of a variety of predecessors and peers: rock legend Steve Winwood saw Jacobs perform in 2014 and soon invited him to open his national tour. The following year, Sturgill Simpson extended the same invitation. Never limited by genre, Jacobs and New Orleans heavyweight Ivan Neville recorded a collaborative album under the name “Neville Jacobs”, which will be released in 2017. As an adapting, evolving, versatile musician who has survived on his own merit, Jacobs continues to win over audiences of many tastes, as he brings his characteristic authenticity and soul to every set.

Jacobs feels there are common threads across many genres of music, and he has harnessed over a decade of trans-genre exploration on his second solo album, Dust to Gold, due for release on October 21, 2016, from American Showplace Music. The album is a soul-stirring expression of the current chapter of his creative evolution, featuring twelve well-crafted songs that masterfully weave through the sweet and rugged landscape of soul, country, folk, blues, gospel, and rock and roll. Through every turn, one can easily feel Jacobs’ reverence to his influences, but the result is an original, eclectic record with a sound that is authentically his. In a given moment, Jacobs’ guitar playing is gritty, soulful, rich, and lyrical. It’s subtle, yet adventurous. His voice is at once sweet and sultry, with a honeyed whiskey croon that delivers his thoughtful, expressive lyrics.


 
Railroad Earth 2-NIGHT PASS
@9:30 club | view more info »
Mar
10

Railroad Earth 2-NIGHT PASS



Friday Mar 10|doors 7:00 pm|all ages
9:30 club|get directions »
815 V Street NW
Washington DC|p: (202) 265-0930


Railroad Earth 2-NIGHT PASS

2-Night Pass for Railroad Earth @ 9:30 Club
Friday, March 10 & Saturday, March 11



 
Railroad Earth
Cris Jacobs | @9:30 club | view more info »
Mar
11

Railroad Earth

Cris Jacobs


Saturday Mar 11|doors 7:00 pm|all ages
9:30 club|get directions »
815 V Street NW
Washington DC|p: (202) 265-0930


Railroad Earth

official band site »

There’s a great scene in The Last Waltz – the documentary about The Band’s final concert – where director Martin Scorsese is discussing music with drummer/singer/mandolin player Levon Helm. Helm says, “If it mixes with rhythm, and if it dances, then you’ve got a great combination of all those different kinds of music: country, bluegrass, blues music, show music…”

To which Scorsese, the inquisitive interviewer, asks, “What’s it called, then?” “Rock & roll!”

Clearly looking for a more specific answer, but realizing that he isn’t going to get one, Marty laughs. “Rock & roll…”

Well, that’s the way it is sometimes: musicians play music, and don’t necessarily worry about where it gets filed. It’s the writers, record labels, managers, etc., who tend to fret about what “kind” of music it is.

And like The Band, the members of Railroad Earth aren’t losing sleep about what “kind” of music they play – they just play it. When they started out in 2001, they were a bunch of guys interested in playing acoustic instruments together. As Railroad Earth violin/vocalist Tim Carbone recalls, “All of us had been playing in various projects for years, and many of us had played together in different projects. But this time, we found ourselves all available at the same time.”

Songwriter/lead vocalist Todd Sheaffer continues, “When we started, we only loosely had the idea of getting together and playing some music. It started that informally; just getting together and doing some picking and playing. Over a couple of month period, we started working on some original songs, as well as playing some covers that we thought would be fun to play.” Shortly thereafter, they took five songs from their budding repertoire into a studio and knocked out a demo in just two days. Their soon-to-be manager sent that demo to a few festivals, and – to the band’s surprise – they were booked at the prestigious Telluride Bluegrass Festival before they’d even played their first gig. This prompted them to quickly go in and record five more songs; the ten combined tracks of which made up their debut album, “The Black Bear Sessions.”

That was the beginning of Railroad Earth’s journey: since those early days, they’ve gone on to release five more critically acclaimed studio albums and one hugely popular live one called, “Elko.” They’ve also amassed a huge and loyal fanbase who turn up to support them in every corner of the country, and often take advantage of the band’s liberal taping and photo policy. But Railroad Earth bristle at the notion of being lumped into any one “scene.” Not out of animosity for any other artists: it’s just that they don’t find the labels very useful. As Carbone points out, “We use unique acoustic instrumentation, but we’re definitely not a bluegrass or country band, which sometimes leaves music writers confused as to how to categorize us. We’re essentially playing rock on acoustic instruments.”

Ultimately, Railroad Earth’s music is driven by the remarkable songs of front-man, Todd Sheaffer, and is delivered with seamless arrangements and superb musicianship courtesy of all six band members. As mandolin/bouzouki player John Skehan points out, “Our M.O. has always been that we can improvise all day long, but we only do it in service to the song. There are a lot of songs that, when we play them live, we adhere to the arrangement from the record. And other songs, in the nature and the spirit of the song, everyone knows we can kind of take flight on them.” Sheaffer continues: “The songs are our focus, our focal point; it all starts right there. Anything else just comments on the songs and gives them color. Some songs are more open than others. They ‘want’ to be approached that way – where we can explore and trade musical ideas and open them up to different territories. But sometimes it is what the song is about.”

So: they can jam with the best of them and they have some bluegrass influences, but they use drums and amplifiers (somewhat taboo in the bluegrass world). What kind of music is it then? Mandolin/vocalist John Skehan offers this semi-descriptive term: “I always describe it as a string band, but an amplified string band with drums.” Tim Carbone takes a swing: “We’re a Country & Eastern band! ” Todd Sheaffer offers “A souped-up string band? I don’t know. I’m not good at this.” Or, as a great drummer/singer/mandolin player with an appreciation for Americana once said: “Rock & roll!”


Cris Jacobs

official band site »

Whether alone with just the guitar and his voice or surrounded by a full band, Cris Jacobs enchants listeners with his inspired, poignant songwriting, virtuous guitar playing, and soulfully transcendent voice. Artists across the board have discovered Jacobs’ musicianship and supple versatility, resulting in an impressive variety of formats in which he has played over the last few years.

After a decade, five records, and 200 shows a year as principal songwriter and frontman for beloved Baltimore-based band The Bridge from 2001-2011, Jacobs wasted no time continuing to write music of his own and exploring different configurations for his craft. He released his debut solo album, Songs for Cats and Dogs, in 2012, and continued to perform relentlessly, both with his new band and as a solo artist. In doing so, he quickly garnered the admiration of a variety of predecessors and peers: rock legend Steve Winwood saw Jacobs perform in 2014 and soon invited him to open his national tour. The following year, Sturgill Simpson extended the same invitation. Never limited by genre, Jacobs and New Orleans heavyweight Ivan Neville recorded a collaborative album under the name “Neville Jacobs”, which will be released in 2017. As an adapting, evolving, versatile musician who has survived on his own merit, Jacobs continues to win over audiences of many tastes, as he brings his characteristic authenticity and soul to every set.

Jacobs feels there are common threads across many genres of music, and he has harnessed over a decade of trans-genre exploration on his second solo album, Dust to Gold, due for release on October 21, 2016, from American Showplace Music. The album is a soul-stirring expression of the current chapter of his creative evolution, featuring twelve well-crafted songs that masterfully weave through the sweet and rugged landscape of soul, country, folk, blues, gospel, and rock and roll. Through every turn, one can easily feel Jacobs’ reverence to his influences, but the result is an original, eclectic record with a sound that is authentically his. In a given moment, Jacobs’ guitar playing is gritty, soulful, rich, and lyrical. It’s subtle, yet adventurous. His voice is at once sweet and sultry, with a honeyed whiskey croon that delivers his thoughtful, expressive lyrics.


 
Octave Cat ft. Jesse Miller (Lotus) & Eli Winderman (Dopapod)
Horizon Wireless | Box Era | @The 8x10 | view more info »
Mar
19

Octave Cat ft. Jesse Miller (Lotus) & Eli Winderman (Dopapod)

Horizon Wireless
Box Era

Sunday Mar 19|doors 7:00 pm|18+
The 8x10|get directions »
10 E. Cross St.
Baltimore, MD|p: (410) 625-2000


Octave Cat ft. Jesse Miller (Lotus) & Eli Winderman (Dopapod)

official band site »

Octave Cat is Jesse Miller (Lotus - bass and modular synths), Eli Winderman (Dopapod - electric piano and Moog Prodigy) and Charlie Patierno (drums). The music takes inspiration from late 70s synth-jazz-funk, but also references classic house, drum n' bass and trip-hop.


Horizon Wireless

official band site »

Horizon Wireless is a DJ (Harrison Waxenberg) and Drummer (Daniel Lyons) duo from NYC that blends psychedelic break-beat music with a variety of other styles including trip-hop, minimal tech house, and electro/trance to create high energy dance sets. Seamlessly using elements from all across the sound spectrum, they weave together unique mixes for each show and create a storm of soul smashing beats, titillating harmonies, and wet melodies. This sonic tsunami can easily induce multiple crowdgasms, so bringing a towel to shows is not only recommended, but encouraged as well.

Box Era

official band site »

Risen from the ashes of keg-fueled house parties and sweaty bars of College Park, MD, Box Era has planted itself as a staple in the up-and-coming DMV music scene. Creating a jam-inspired electro-pop and funk blend, Box Era’s music arms you with every tool necessary to go talk to that special someone you’ve been eyeing up. You’ll find yourself dancing the night away, shaking hands with CEOs, and experiencing the juiciest sweet-and-sour jamwich of your life.


 
Anuhea
@Jammin' Java | view more info »
Mar
21

Anuhea



Tuesday Mar 21|doors 6:30 pm|all ages
Jammin' Java|get directions »
227 Maple Ave E
Vienna, VA|p: (703) 255-1566


Anuhea

official band site »

With a delicate balance of fragility, strength and sass, Hawaiian born singer/songwriter Anuhea blends engaging lyrics, acoustic soul, pop, rap and reggae into a style that has earned her a reputation as Hawaii's #1 female artist. Anuhea's signature guitar rhythms, sultry vocals and honest song writing weave acoustic soul, R&B, jazz and hip hop with pop appeal, making Anuhea Hawaii's next rising star.

Rylee Anuheake'alaokalokelani Jenkins (Anuhea) was born in December 1985 on the island of Maui.

Her debut album "Anuhea" released in April of 2009. It shot to #7 on the iTunes Pop Charts, #4 on R&B, and #3 on the World/Reggae Billboard Charts and multiple singles became commercial successes on Hawaii and AAA national radio.

Background: A self-taught guitarist and song writer, Anuhea began showcasing her talents while boarding at Hawaii's famous Kamehameha Schools in Honolulu. "We would print out guitar chords to Bob Marley and Jack Johnson songs at school then skip water polo practice to go back to the dorms and jam them. Once I got the basic idea of guitar I then started writing my own songs." Anuhea enjoyed the spotlight. She was the head anchor for the daily campus-wide news, hosted a variety of TV shows for local television stations, and acted in school musicals.

After attending film school in Orange County for a year, Anuhea realized she wasn't heading in the direction she was most passionate about, music. So she abandoned her scholarships and embarked on a soul-searching odyssey to Australia for 3 weeks. She returned to the islands and immediately got into the scene, performing at a local coffee shop. These gigs turned into paid restaurant gigs and she eventually put a band together using friends from around the island.

In 2006 Anuhea competed for a crown in the Miss Maui Scholarship Pageant, the preliminary to the Miss Hawaii and Miss America Pageants. Not the pageant-girl cliche by any means, Anuhea embraced the challenge of the pageant and performed an original song "I Just Want You Around" for the talent portion of the competition. She walked away with a trophy for Miss Congeniality and 2nd Runner Up. "I thrive off of challenges. I had hit a point where I was pretty stagnant, and I had some student loans I really wanted to pay off. Plus you see pageants on TV as a kid, and I just always wanted to try to be that girly girl for once in my life."

Anuhea's musical and performance skills continued to improved with every performance, and successes came steadily. She took the initiative to market herself as a musician initially acting as her own manager, booking agent, music producer and distributor. Anuhea even took recordings from a live taping for a public radio station and turned them into her first real demo CD "Rough Cuts" which through her myspace page got her discovered by manager / record label co-owner Warren Wyatt.

A naturally gifted songwriter, Anuhea's word choices are a clever balance of emotions where each song tells a unique story, each story a lesson learned."I'm influenced highly by R&B and Soul, Hip Hop and Funk, but my instrument is acoustic guitar. I tend to write most of my songs during the craziest parts of my life. I'll write pages and pages in my notebook in no order then go back with my guitar in my hands and sing the words as lyrics to some chords. That's how most songs start for me." Anuhea wants to be a part of a new generation melding the melodic traditions of her island upbringing with modern beats and influences.

Music has been in Anuhea's family for generations, so it was inevitable that her seeded passions would reflect the same. Anuhea's father is from the North Shore of Oahu in the surfing culture of Haleiwa. His younger sister, Nalani is a founding member of the most popular female group in the history of Hawaiian Music, Na Leo Pilimehana. Anuhea's mother, an Oregon native, comes from a musical family as well, her father is a popular country guitarist.

nuhea has shared the stage with artists like Bruno Mars, Babyface, Al Green, FloRida, Hoobastank and Pepper. She and her band have toured Japan and Guam with the Armed Forces Entertainment Tour for the troops and their families. She had official showcases at South by Southwest (SXSW) music festival in Austin Texas in 2009 and 2010. Anuhea headlined the national 2010 Right Love Tour, and the 2010 Surf Roots Tour along with iTunes #1 reggae album recipients, The Green.

In April 2010 Anuhea performed alongside Jack Johnson, Ziggy Marley & Taj Mahal at the sold out Kokua Festival at the Waikiki Shell. She went on to win 2 Na Hoku Hanohano Awards for Contemporary Album of the Year and Most Promising Artist, making her Hawaii's #1 female artist.

In 2011 Anuhea and band performed the Half-Time show at the NFL ProBowl at the Aloha Stadium, getting her a few seconds of National TV coverage on FOX.

As of April 2011 Anuhea is currently touring the West Coast US and heading into the studio to finish up her 2nd album due out September 2011. Her first single off the new record, "Crown Royal" (now avail on iTunes) already has gotten mad radio play in the islands, making her sophomore album one of the most anticipated in 2011.

The future is bright for this Maui songbird. Anuhea's determination, passion, optimism and raw talent are the foundations for the success that is to come. "I just feel lucky that I've found my dream and am able to pursue it... My main goal as a music-maker is to help people find theirs, whatever it may be." Fluent in Hawaiian Anuhea is proud of her island roots and plans to honoring her heritage by utilizing her growing fame for the good of her land and people.



 
The Revivalists
Atlas Road Crew | @Rams Head Live | view more info »
Mar
23

The Revivalists

Atlas Road Crew


Thursday Mar 23|doors 7:00 pm|all ages
Rams Head Live|get directions »
20 Market Place
Baltimore, MD|p: (410) 244-1131


The Revivalists

official band site »

In rock ‘n’ roll, you’ve got to walk the well-trodden path of the genre’s forefathers one step at a time. Each gig under your belt makes for another fan, while every record serves as the next totem for your legacy. It’s a proverbial rite of passage, and there’s no skipping to the end. The Revivalists didn’t take any shortcuts.

Since forming in 2007, the seven-piece New Orleans roots-driven rock band logged countless miles on the road, cultivating a high octane live show and a studio presence equally steeped in instrumental virtuosity and charismatic vocal magnetism. Following two independent releases, 2010’s Vital Signs and 2014’s City of Sound, that time and dedication came to a head on the group’s third full-length album, Men Amongst Mountains [Wind-Up Records]. As much as it’s the culmination of their work thus far, it opens up a new chapter for the band—David Shaw [vocals], Zack Feinberg [guitar], Ed Williams [pedal steel guitar], Rob Ingraham [saxophone], George Gekas [bass], Andrew Campanelli [drums], and Michael Girardot [keys, trumpets].

“The title sums up our collective feeling,” says Shaw. “We started to find ourselves on festival bills with our idols and in front of huge crowds. We thought, ‘We’re amongst these giants, but we’re holding our own.’ We felt like we stood up and met the challenge by simply being who we are as The Revivalists.”

That honesty turned both fans and critics into believers. Upon release, Men Amongst Mountains debuted at #2 on the Billboard Alternative Albums Chart and Top 10 on the iTunes Alternative Albums Chart while quickly racking up nearly 2 million plays on Spotify all through word of mouth. Rolling Stone, NPR, Nylon, and more would sing their praises as they launched a headline tour that sold out dates across the country. It all comes back to the group’s sound though.

“Everyone adds his own unique imprint to it,” Shaw goes on. “There’s always an element of surprise, because it’ll be groove-oriented, but unconventional. We lock in, and something different happens.”

Whether it’s Ed’s show-stopping pedal steel fireworks, Zack finger-tapping out bluesy licks on his fretboard, or Rob and Michael’s horns adding just the right touch of bombast, Men Amongst Mountains consistently surprises. In order to capture that unpredictability, the band recorded the album live on tape in just 21 days at the iconic “Studio in the Country” [Stevie Wonder, The Afghan Whigs, Nine Inch Nails] in Bogalusa, LA with producer Ben Ellman.

“We had been playing a good amount of the songs live,” explains Shaw. “We had a feel for them, but we also had a few new ones. Ben was a breath of fresh air in the process. There are seven people in the band and a lot of strong personalities, to say the least. Ben guided us through our ideas. With his encouragement, we’d work it until we felt that magic.”

The magic certainly courses through the album opener and lead single “Keep Going,” which shot into the Top 25 on the Triple A Chart. Driven by Shaw’s heavenly urgent croon, the track builds into a swinging refrain propelled by shining keys, funked-out guitar, and booming horns. “It started out as an acoustic song I’d written,” he goes on. “I showed it to the band, and they brought it to life. I was pretty road-worn at the time and tired from touring. That’s what the opening line is all about. It’s that message to just keep going.”

Elsewhere, “Wish I Knew You” delivers a wistful desire with stunning jamming and southern R&B swagger. “Monster” reels back into pensive lyrical poetry within a canvas of ethereal instrumentation, and “All In The Family” confidently explodes on a jaw-dropping guitar solo. The soulful “It Was A Sin” showcases Zack’s fret tapping bolstered by Ed’s cinematic pedal steel. “Zack and I wrote that one together,” remarks Shaw. “You can really hear everything we do as a band in there.”

Ultimately, The Revivalists are quite far along on their own path now, and there’s no turning back.

“All that matters is that the art makes you feel something,” the singer concludes. “I’d love for it to take you away into the mood we felt when the song was actually created. I hope you can feel the general vibe of a song and have it be an escape—whether you’re listening to it at home or in the crowd at a show.”


Atlas Road Crew

official band site »

South Carolina rock 'n' roll shot with southern soul accents. Formed in fall of 2011, Atlas Road Crew is rapidly building one of the most loyal fan bases on the East Coast, packing venues to capacity from South Carolina to New York City, and expanding rapidly to major US cities in between.

The overwhelming positive response to the band’s latest recorded effort Halfway to Hopkins,produced by Grammy Award winning producer Rick Beato, has this young band quickly becoming the South East’s “must see” live act of 2015.


 
Twiddle
Aqueous | @9:30 club | view more info »
Mar
25

Twiddle

Aqueous


Saturday Mar 25|doors 10:00 pm|all ages
9:30 club|get directions »
815 V Street NW
Washington DC|p: (202) 265-0930


Twiddle

official band site »

Twiddle, a Vermont based quartet, spins tall tales over an intricate soundscape of hi-def shred. Their fresh multi-genre approach conjures up jazz, classical, and bluegrass, but above all, masterfully blends reggae and funk. Obliterating laws of improvisation, their complex arrangements never fail to leave crowds lusting for more. With sage songwriting and unmatched variety, Twiddle’s thrilling infancy will surely exceed all expectation.


Aqueous

official band site »

Tearing out of Buffalo NY, rock/groove powerhouse Aqueous has built a name for themselves nationally, following years of touring and high profile sets at festivals like Summer Camp, Peach Festival, Moe.Down, Catskill Chill, The Frendly Gathering, and countless others. Aqueous has built a reputation for bringing high energy and tireless effort to their craft, and fans rave about the uniqueness and power behind every performance. Featured as one of Relix Magazine's "On The Verge" artists and having shared the stage with the likes of Umphrey's McGee, Lotus, Papadosio & more, there seems no limit to the quartet's journey to the top.


 
Rising Appalachia
@9:30 club | view more info »
Mar
25

Rising Appalachia



Saturday Mar 25|doors 6:00 pm|all ages
9:30 club|get directions »
815 V Street NW
Washington DC|p: (202) 265-0930


Rising Appalachia

official band site »

Sisters Leah & Chloe are the collective voice that leads Rising Appalachia, a melting pot of folk music simplicity, textured songwriting, and those bloodline harmonies that only siblings can pull off. Proudly born and raised in the concrete jungle of Atlanta, Georgia, sharpening their instincts in the mountains of Appalachia, and fine tuning their soul on the streets of New Orleans they have crafted a 6-album folk-roots career from the dusts of their passion.



 
Cris Jacobs
Ryan Montbleau | @Baltimore Soundstage | view more info »
Apr
7

Cris Jacobs

Ryan Montbleau


Friday Apr 7|doors 8:00 pm|all ages
Baltimore Soundstage|get directions »
124 Market Place
Baltimore, MD|p: (410) 244-0057


Cris Jacobs

official band site »

Whether alone with just the guitar and his voice or surrounded by a full band, Cris Jacobs enchants listeners with his inspired, poignant songwriting, virtuous guitar playing, and soulfully transcendent voice. Artists across the board have discovered Jacobs’ musicianship and supple versatility, resulting in an impressive variety of formats in which he has played over the last few years.

After a decade, five records, and 200 shows a year as principal songwriter and frontman for beloved Baltimore-based band The Bridge from 2001-2011, Jacobs wasted no time continuing to write music of his own and exploring different configurations for his craft. He released his debut solo album, Songs for Cats and Dogs, in 2012, and continued to perform relentlessly, both with his new band and as a solo artist. In doing so, he quickly garnered the admiration of a variety of predecessors and peers: rock legend Steve Winwood saw Jacobs perform in 2014 and soon invited him to open his national tour. The following year, Sturgill Simpson extended the same invitation. Never limited by genre, Jacobs and New Orleans heavyweight Ivan Neville recorded a collaborative album under the name “Neville Jacobs”, which will be released in 2017. As an adapting, evolving, versatile musician who has survived on his own merit, Jacobs continues to win over audiences of many tastes, as he brings his characteristic authenticity and soul to every set.

Jacobs feels there are common threads across many genres of music, and he has harnessed over a decade of trans-genre exploration on his second solo album, Dust to Gold, due for release on October 21, 2016, from American Showplace Music. The album is a soul-stirring expression of the current chapter of his creative evolution, featuring twelve well-crafted songs that masterfully weave through the sweet and rugged landscape of soul, country, folk, blues, gospel, and rock and roll. Through every turn, one can easily feel Jacobs’ reverence to his influences, but the result is an original, eclectic record with a sound that is authentically his. In a given moment, Jacobs’ guitar playing is gritty, soulful, rich, and lyrical. It’s subtle, yet adventurous. His voice is at once sweet and sultry, with a honeyed whiskey croon that delivers his thoughtful, expressive lyrics.


Ryan Montbleau

official band site »

Songwriter and performer Ryan Montbleau entered a new chapter of his career with the release of Growing Light in 2015. The 10-song set is bold and barrier breaking, organically blending rock, funk, soul, folk and psychedelia to create a sonic kaleidoscope where tunes like the percolating first single “Pacing Like Prince” and the cinematic title track co-exist in refracted bliss.

Growing Light is a “perfect storm” recording. The album pairs Montbleau’s most artfully crafted and sincere lyrics with vocal performances of exceptional grace and heart. The songs also benefit from the near-telepathic rapport of Montbleau and his band, which developed over a decade of touring. And those qualities are enhanced by the adventurous production of Galactic’s Ben Ellman and inventive mixing by Mikael “Count” Eldridge, who has worked with DJ Shadow, Radiohead and No Doubt. Growing Light is also poignant and personal. Montbleau’s new songs trace the bloom-and-fade cycle of finding and losing love through the arc of a relationship. They also come at the end of a decade-long era with his band – a group who came of age together while touring the jam band circuit, where the Massachusetts-born Montbleau built his initial following.

Montbleau began as a solo performer, appearing often on stage at the first House of Blues club in Cambridge, Massachusetts, and made his early recordings primarily with just his guitar. By 2006 he’d formed the Ryan Montbleau Band and was branching out of the coffeehouse and folk scene into the jam world, spending much of each year on the road.

Today Montbleau continues to maintain a busy touring schedule, dividing gigs between solo shows and concerts with various line-ups of the Ryan Montbleau Band. “I loved playing with my original band and still do, whenever we may get the chance. But touring with different musicians has taught me to be a better bandleader and forced me to be a better musician,” Montbleau reflects. “Another thing I’ve learned is that as you continue your life as a songwriter and performer, you learn your limitations and grow into them,” he continues. “You learn how to push yourself to write lyrics that get as close to what you want to say as possible, or to find the right music to say it with, or to sing in a way that really carries the message in your heart. That’s where I feel like I’ve arrived today, and I’m excited to find out where I’m going next.”


 
Pigeons Playing Ping Pong
ELM - Electric Love Machine | @9:30 club | view more info »
Apr
7

Pigeons Playing Ping Pong

ELM - Electric Love Machine


Friday Apr 7|doors 8:00 pm|all ages
9:30 club|get directions »
815 V Street NW
Washington DC|p: (202) 265-0930


Pigeons Playing Ping Pong

official band site »

Pigeons Playing Ping Pong brings end-of-the-world enthusiasm to their high-energy psychedelic funk. Their infectious electro-funk grooves, undeniable live energy and contagious smiles have their rabid fanbase "the Flock" growing exponentially. Based out of Baltimore, MD, this animated quartet has been scorching up the country with their explosive performances and danceable peaks... and they're loving every minute of it!


ELM - Electric Love Machine

official band site »

Electric Love Machine (ELM) is best described as an outer space adventure through sound, infused with doses of electronic funk, traditional Americana and improvisational jazz, and whose foundation is built on a sense of community. Their first full-length album, XenofoneX, touches upon the aural sense, and travels through one’s heart, makes a stop in the brain, all while travelling across the cosmic plane.


 
JamBase and All Good Presents...
The Motet
Reed Mathis & Electric Beethoven | @9:30 club | view more info »
Apr
14

JamBase and All Good Presents...
The Motet

Reed Mathis & Electric Beethoven


Friday Apr 14|doors 8:00 pm|all ages
9:30 club|get directions »
815 V Street NW
Washington DC|p: (202) 265-0930


JamBase and All Good Presents...
The Motet

official band site »

The future of funk is clear on The Motet’s new self-released studio album, Totem, which hits streets July 8, 2016. The 12 tracks on Totem, all originals, cover a lot of ground stylistically while never losing sight of the groove. Produced by Lettuce and Soulive guitarist Eric Krasno, Totem was written collectively by the seven members of the band. Each song is steeped in The Motet’s signature style that slaps you in the face with sounds that are fresh and unique.

The recent addition of singer Lyle Divinsky, who joined the band in early 2016, fans the flames of this already hot band. His sinfully soulful voice and rich lyrics are powerfully prevalent throughout Totem. “There was a month and a half between the time I joined the band and when we went into the studio,” explains Divinsky. “I wound up writing the lyrics and melodies to four songs, and re-wrote the lyrics to two. It gave me and the band an opportunity to really connect musically. We’re deeply proud of this album and it’s very exciting to have this new material to push out as we begin this next phase of The Motet’s journey.”

The brilliance of The Motet is that they do not mimic bands of the past, but rather create new, authentic sounds in a language from the past. One might explain the difference like the process of writing a poem in Old English or Aramaic: first, you have to learn the language by digging into the past, then you can express yourself in the present - and say anything you want - using that language.

No matter how you choose to express funk, you can’t fake it - and you sure as hell can’t play it - if you don’t know where to find it.

Just how did The Motet find the funk? Simply put, they dissected it. “We have put together funk-themed Halloween shows for the past fifteen years, where we pay tribute to a particular artist or play a ‘Mixtape’ set of music culled from a certain year,” shares Dave Watts.

Past Halloween cover sets have included tributes to Herbie Hancock, Earth, Wind & Fire, Stevie Wonder, Prince, Parliament-Funkadelic and many others. Recent tribute shows have celebrated a particular year in music, with ‘Mixtape’ sets from 1975, 1977, and 1980. “Preparing for these shows are intense, and we take it very seriously. Each year it gives us an incredible opportunity to not just learn, but to understand, the art of funk – both as individual players and as a band.” These shows, which have become a beloved live music tradition and sell out each year, have also offered a unique (and rowdy) opportunity for the band’s fans to join them in their ongoing exploration of creative, live dance music.

The Motet began in 1998 in Denver, Colorado, where the band’s then-rotating cast of musicians amassed an enthusiastic and loyal throng of hometown fans. The Motet took their infectious dance parties on the road about three years ago, and their national fan base has been growing exponentially ever since. Today their shows sell out from coast to coast at such venues as Red Rock’s Amphitheatre, Brooklyn Bowl, Chicago’s Park West, The Independent in San Francisco, Tipitina’s in New Orleans, Portland’s Crystal Ballroom, and Variety Playhouse in Atlanta. A favorite along the festival circuit, The Motet has performed at Electric Forest, Summer Camp, All Good Music Festival, High Sierra Music Festival, Bonnoroo, Peach Fest and many others.

The Motet are Lyle Divinsky (vocals), Dave Watts (drums), Joey Porter (keyboards), Garrett Sayers (bass), Ryan Jalbert (guitar), Gabriel Mervine (trumpet), and Drew Sayers (saxophone).


Reed Mathis & Electric Beethoven

official band site »

After cutting his teeth in Jacob Fred Jazz Odyssey and Tea Leaf Green, bassist extraordinaire Reed Mathis established himself in the Grateful Dead world with membership in Billy & The Kids, The Rhythm Devils, Mickey Hart Band, Steve Kimock Band and the Golden Gate Wingmen. But Mathis' first love was always Ludwig van Beethoven. With his new Electric Beethoven project, Mathis did the unthinkable and fused all of his worlds together, bringing old world masterpieces by Beethoven to today's premiere musical improvisers — an elite class of live performers who have individually made names for themselves in every genre except classical: jazz, funk, folk, blues, and jam rock.

Enlisting a total of 14 musicians, Mathis traveled to their various hometowns, recording each “movement” as a trio, with his unusual approach to the bass filling the same sonic space as virtually an entire traditional string section.

The result goes far beyond genre and brings this music back to the emotional realm that Beethoven was composing from when he initially brought these two symphonies to life. It’s music of the moment, even if that moment has been happening for more than 200 years.

The “Beathoven Orchestra,” as they appear on the album, features Reed Mathis in trio formations with: Joe Russo and Luke Bulla, Andrew Barr and Steve Pryor, Stanton Moore and Jared Tyler, Matt Chamberlain and Mike Dillon, Page McConnell and Jason Smart, Mike Gordon and Joe Russo, Marco Benevento and Matt Chamberlain, Brad Barr and Andrew Barr, Stanton Moore and Robert Walter.

Beathoven will be released by Royal Potato Family records on September 30, on double-vinyl, CD, and digital formats.

Look for Reed Mathis and Electric Beethoven to bring these symphonies of sound to worldwide audiences, festivals, events, and happenings beginning this fall.


 
Pink Talking Fish
@The 8x10 | view more info »
Apr
19

Pink Talking Fish



Wednesday Apr 19|doors 8:00 pm|18+
The 8x10|get directions »
10 E. Cross St.
Baltimore, MD|p: (410) 625-2000


Pink Talking Fish

official band site »

Pink Talking Fish is a Hybrid Tribute Fusion Act that takes the music from three of the world's most beloved bands and creates a special treat for fans of the music.

Pink Floyd, The Talking Heads and Phish are all more than just bands... they are Phenomenons. Their creations have artistically inspired people and their mindblowing live performances have brought people together to form a special sense of community around the love for their favorite band.

Although the music from each act is different, Pink Talking Fish has discovered that fusing the material together creates an amazing story. The epic emotion of Pink Floyd.... The funky, danceable layerings of The Talking Heads.... The multitude of styles, unique compositional structures and pure fun of Phish.... to merge these three into one gives music lovers a special experience.

Pink Talking Fish features Eric Gould on bass, Richard James on keyboards, Zack Burwick on drums and Dave Brunyak on guitar. This is a band created by musicians who love the music of these acts. It's purpose is to heighten people's passion for this music by creating something fresh and exciting for fans.

Discovering connections is part of the fun: Pink Floyd's "On The Run" seamlessly fitting in the middle of the composition of Phish's "You Enjoy Myself". Perfectly placing Phish's "Sand" into the groove of The Talking Head's "Slippery People". Segued collections from all three acts such as Run Like Hell > Making Flippy Floppy > Piper > Run Like Hell or Mike's Song > Have A Cigar > Once In A Lifetime > Weekapaug Groove. These ideas are the spirit behind Pink Talking Fish.

The story is ever evolving. The experience is always exciting. Come join Pink Talking Fish for the ultimate fusion tribute and celebrate the love of this music in unique fashion.



 
John Brown's Body
@The 8x10 | view more info »
Apr
21

John Brown's Body



Friday Apr 21|doors 8:00 pm|18+
The 8x10|get directions »
10 E. Cross St.
Baltimore, MD|p: (410) 625-2000


John Brown's Body

official band site »

Together for two decades and hailed as “Future roots, reggae, and dub with an intricately balanced weaving of vocals, percussion, keyboard, bass, guitar, and stunning 3-piece horn section that ties it all together” (WRUV), John Brown’s Body (JBB) is building “a legacy that has inspired and carved a path for the now thriving contemporary American reggae scene” (Rudeboy Reggae). Formed in Ithaca, New York, in the mid 1990s, at a time when there wasn’t yet a far-reaching U.S. reggae scene, JBB was one of a small handful of U.S. reggae bands that began touring nationally. Since then, JBB has played an important role in helping define distinctly “American reggae.” JBB’s music is steeped in traditional vibes, but unapologetically incorporates elements from other genres. While most American reggae bands tackled typical reggae themes (such as religion and marijuana), JBB acted more like an indie band, writing songs that used the vocabulary of reggae to express their own experiences. Their unique approach resonated with the masses. The group’s 2008 full-length record, Amplify, hit #1 on the Billboard Reggae Chart, 2012’s JBB In Dub EP reached #1 on iTunes’ Reggae Chart, and in 2013 Kings And Queens topped both Billboard and iTunes Reggae Charts at #1. Today, JBB’s signature style has become the norm for U.S. reggae bands - and many in the genre admittedly point to John Brown’s Body as a key influence. Their eleventh studio release, Fireflies, comes out September 9th on Easy Star Records.



 
Hurray For The Riff Raff
Ron Gallo | @9:30 club | view more info »
Apr
23

Hurray For The Riff Raff

Ron Gallo


Sunday Apr 23|doors 7:00 pm|all ages
9:30 club|get directions »
815 V Street NW
Washington DC|p: (202) 265-0930


Hurray For The Riff Raff

official band site »

Hurray For The Riff Raff is Alynda Segarra, but in many ways it's much more than that: it's a young woman leaving her indelible stamp on the American folk tradition.

Segarra, a 29-year-old of Puerto Rican descent whose slight frame belies her commanding voice, grew up in the Bronx, where she developed an early appreciation for doo-wop and Motown from the neighborhood's longtime residents. It was downtown, though, that she first felt like she found her people, traveling to the Lower East side every Saturday for punk matinees at ABC No Rio. "Those riot grrrl shows were a place where young girls could just hang out and not have to worry about feeling weird, like they didn’t belong," Segarra says of the inclusive atmosphere fostered by the musicians and outsider artists who populated the space.

The Lower East Side also introduced her to travelers, and their stories of life on the road inspired her to strike out on her own at 17, first hitching her way to the west coast, then roaming the south before settling in New Orleans. There, she fell in with a band of fellow travelers, playing washboard and singing before eventually learning to play a banjo she'd been given in North Carolina. "It wasn't until I got to New Orleans that I realized playing music was even possible for me," she explains. "The travelers really taught me how to play and write songs, and we'd play on the street all day to make money, which is really good practice. You have to get pretty tough to do that, and you put a lot of time into it."

Hurray for the Riff Raff had four alt-country albums under its belt, with the last one, Small Town Heroes, featured “The Body Electric,” a song that NPR’s Ann Powers called “The Political Song of the Year” in 2014 and says the album, "sweeps across eras and genres with grace and grit." Yet even though her musical career had begun by running away from home, busking for survival and honing her craft through dreams of Bessie Smith, Ma Rainey, Memphis Minnie, and Woody Guthrie, Segarra realized she a Puerto Rican kid from the Bronx with a different story to tell.


Ron Gallo

official band site »

When you are at a Ron Gallo show leaning against the bar whining to your roommate about last night you will probably get called out and like it, you might get accidentally whacked by a guitar headstock or your phone punted, you might find yourself succumbing to the internal animalistic feelings you've been suppressing all week and you might even leave a slightly better person. It is a confrontational show with good intention, like a final punch before everything goes to shit. If you say hello afterwards, you might be shocked to be greeted by a genuinely friendly and grateful person that 5 minutes ago looked like a terrifying spastic red-faced maniac.

Formerly the frontman of Philadelphia based rock and roll band, Toy Soldiers, Gallo has gone through the return of Saturn and the wringer of life over the last couple of years and has come out the other side a person that dances where the infuriated fighter-of-the-good-fight and the observational jokester hang out. Like some big-haired spiritual punk raised in the 90s, Gallo is well-informed of the 20th century roots of American music and obsessed with the NOW in a time where people are drugged by distraction, bullshit and mediocrity. On Gallo's second solo record,HEAVY META(out early 2017), he candidly tackles the heavier topics and dark experiences he lived through during these transformative years.

From his personal ideology on refraining from drug and alcohol use, self-empowerment, domestication, dead love, not knowing someone or yourself, having a stalker, the "struggle" of being an "artist" in 2016, to the disastrous cycle created by terrible parenting, mental illness and post-apocalyptic tales of a world where "all the freaks have gone to bed," this record reflects its subject matter drenched in aggression, fuzz, and walls of Gallo's unconventionally primal approach to the guitar. It is a lyrically driven album laid upon a bed of electricity attempting to wake you up with each listen.

Gallo does not enjoy sitting still so has spent a good portion of the last few years and will spend the foreseeable future on the road backed by Joe Bisirri on bass and Dylan Sevey on drums: Coming to a hole in the wall, night club, backyard, theater, basement, Hardee’s, Sleepy’s Mattress Store, or arena near you. Gallo has appeared at Bonnaroo, SXSW, CMJ, Audiotree, Daytrotter and has received praise from renowned publications such as The FADER, Under the Radar, BrooklynVegan, PASTE among others.

"HEAVY META" will be released at some point in early 2017, but the "RG3 EP" is currently available on American Diamond Recordings, a record label run by Gallo out of his room in the Bordeaux neighborhood of Nashville, TN as of new years day 2016. The mission statement of American Diamond (as well as Gallo himself) is, "ROCK AND ROLL ISN'T DEAD... YOU ARE."


 
PSYCHO THRILLERS
Psycho Killers (Talking Heads Tribute) Performing a special Talking Heads / Michael Jackson mash up set! | Synchronicity (The Police Tribute) | @Gypsy Sally's | view more info »
Apr
29

PSYCHO THRILLERS

Psycho Killers (Talking Heads Tribute) Performing a special Talking Heads / Michael Jackson mash up set!
Synchronicity (The Police Tribute)

Saturday Apr 29|doors 7:00 pm|21+
Gypsy Sally's|get directions »
3401 K St NW
Washington DC|p: (202) 333-7700


PSYCHO THRILLERS


Psycho Killers (Talking Heads Tribute) Performing a special Talking Heads / Michael Jackson mash up set!

official band site »

Performing a special Talking Heads / Michael Jackson Mash Up Set!

Psycho Killers are a group of die-hard Talking Heads fans that were Born Under Punches in Baltimore, MD. Once in a Lifetime (not during wartime), they will take you to the river with Nothing But Flowers, and you’ll think, This Must Be The Place. They’ll set the Houses in Motion (and then burn them down) with a Listening Wind that will make you Crosseyed and Painless.

Synchronicity (The Police Tribute)


 
Dopapod
Deaf Scene | @Baltimore Soundstage | view more info »
Apr
29

Dopapod

Deaf Scene

Saturday Apr 29|doors 8:00 pm|all ages
Baltimore Soundstage|get directions »
124 Market Place
Baltimore, MD|p: (410) 244-0057


Dopapod

official band site »

The Boston born, now generally Northeast based, but ever on-the-go Dopapod has come a long way from their college basement, DIY party roots. While maintaining to be as grassroots as their humble beginnings, the group has earned praise from taste making critics like Huffington Post, Jambase, and Relix, all the while tending to their ever expanding community of devoted listeners. The past 4 years have individually held the weight of about 150 shows, and included numerous festival appearances like Wakarusa, Summer Camp, Electric Forest, Camp Bisco, Peach Fest, & Gathering Of the Vibes. All of this time on stage together has given the band the opportunity to explore the wide variety of influences that has impacted them to be the players they are today. But, don’t be quick to think that the no holds barred openness to experimenting is unguided. While the brush in their hand uses every color, it’s the stroke on the canvas that gives Dopapod a distinct voice in the way of crafty songwriting.


Deaf Scene

official band site »

Baltimore's own Deaf Scene is quickly becoming recognized as a standout band on a regional and national level, bringing a powerful blend of Post-Rock, Grunge, Progressive Metal, and Jazz-Fusion to their songs and live shows. This ever-evolving instrumental power-trio has consciously embraced walking a musical road-less-traveled since their inception in 2010. Along the way they have cultivated a dedicated following with their sonically-expansive live performances and their solid studio work. Straddling a gray area between the progressive cacophonies of Tool, ethereal soundscapes of Explosions in the Sky, and the sludgy twinge of Primus, Deaf Scene has forged a sound that is uniquely their own. Dave Fullerton’s effects-laden guitar melodies cascade over thick layers of looped sounds, while Eric Courtney’s intricate bass runs and Brett Schatz’s precise whirlwind of drumming give structure and groove to the chaos. What they're able to accomplish on stage, as a three-piece band with no vocals, often surprises listeners who have never seen Deaf Scene in concert. The band works together beautifully through seamless sets of original songs, intersected by ambient samples and drones, generating “a sound that you would never imagine could come from three dudes” (89.7 WTMD).


 
Twiddle
@Baltimore Soundstage | view more info »
May
3

Twiddle



Wednesday May 3|doors 8:00 pm|all ages
Baltimore Soundstage|get directions »
124 Market Place
Baltimore, MD|p: (410) 244-0057


Twiddle

official band site »

Twiddle, a Vermont based quartet, spins tall tales over an intricate soundscape of hi-def shred. Their fresh multi-genre approach conjures up jazz, classical, and bluegrass, but above all, masterfully blends reggae and funk. Obliterating laws of improvisation, their complex arrangements never fail to leave crowds lusting for more. With sage songwriting and unmatched variety, Twiddle’s thrilling infancy will surely exceed all expectation.



 
Kung Fu
@The 8x10 | view more info »
May
11

Kung Fu



Thursday May 11|doors 8:00 pm|18+
The 8x10|get directions »
10 E. Cross St.
Baltimore, MD|p: (410) 625-2000


Kung Fu

official band site »

Kung Fu is coming into Spring 2017 hot with a huge national tour titled “The Fez Tour”. This will be a 2 set experience that involves one set of original music and one set of material from the cult phenomenon, Steely Dan.

The music of Steely Dan is a perfect vehicle for Kung Fu. Best described from The Rolling Stone Encyclopedia of Rock And Roll – “Less a band than a concept, Steely Dan was one of the most advanced, successful, and mysterious pop units of the 1970s. Combining pop hooks with jazz harmonies, complicated time changes and cryptic, often highly ironic lyrics, the band sounded like no one else.”

Kung Fu’s virtuoso collective of musicians create a fun and exciting action-packed fusion experience. The Steely Dan catalogue will be a unique journey for fans of the Fu. They tested the waters 2 years ago at their annual Toys For Tots Benefit by recreating a full rendition of Steely Dan’s album “The Royal Scam” while inviting original members of the band to join in the performance.



 
Kung Fu
@Gypsy Sally's | view more info »
May
13

Kung Fu



Saturday May 13|doors 7:00 pm|21+
Gypsy Sally's|get directions »
3401 K St NW
Washington DC|p: (202) 333-7700


Kung Fu

official band site »

Kung Fu is coming into Spring 2017 hot with a huge national tour titled “The Fez Tour”. This will be a 2 set experience that involves one set of original music and one set of material from the cult phenomenon, Steely Dan.

The music of Steely Dan is a perfect vehicle for Kung Fu. Best described from The Rolling Stone Encyclopedia of Rock And Roll – “Less a band than a concept, Steely Dan was one of the most advanced, successful, and mysterious pop units of the 1970s. Combining pop hooks with jazz harmonies, complicated time changes and cryptic, often highly ironic lyrics, the band sounded like no one else.”

Kung Fu’s virtuoso collective of musicians create a fun and exciting action-packed fusion experience. The Steely Dan catalogue will be a unique journey for fans of the Fu. They tested the waters 2 years ago at their annual Toys For Tots Benefit by recreating a full rendition of Steely Dan’s album “The Royal Scam” while inviting original members of the band to join in the performance.



 
John Mclaughlin & Jimmy Herring
Meeting of the Spirits-Mahavishnu Orchestra Music | @Lincoln Theatre | view more info »
Nov
11

John Mclaughlin & Jimmy Herring

Meeting of the Spirits-Mahavishnu Orchestra Music


Saturday Nov 11|doors 7:00 pm|all ages
Lincoln Theatre|get directions »
1215 U St NW
Washington DC|p: (202) 888-0050


John Mclaughlin

official band site »


Jimmy Herring

official band site »


Meeting of the Spirits-Mahavishnu Orchestra Music

GUITARIST JOHN MCLAUGHLIN REVISITS THE LEGACY OF MAHAVISHNU ORCHESTRA ON HIS FAREWELL U.S. TOUR WITH GUITARIST JIMMY HERRING

In a career that spans over five decades, John McLaughlin, one of music’s most influential and prolific guitarists, composers, and bandleaders, will begin his farewell U.S. tour on November 1 in Buffalo, NY. McLaughlin will be joined by Jimmy Herring, who has been in the creative forefront of the American rock-jam movement for 25 years. The Meeting of the Spirits tour will hit 23 cities before ending in Los Angeles on December 9.

Highlighting this musical adventure will be John McLaughlin revisiting the pioneering music he introduced with his genre-defying Mahavishnu Orchestra. In addition, McLaughlin is expected to release a new album just before the tour launches. More details to be announced.

McLaughlin’s first extensive U.S. tour in seven years, The Meeting of the Spirits also marks his first extended exploration of the Mahavishnu Orchestra material from seminal albums such as Inner Mounting Flame, Birds of Fire, Between Nothingness and Eternity, Visions of the Emerald Beyond and more since the band’s original heyday in the 1970s.

Jimmy Herring, best known for his inspired contributions to the Aquarium Rescue Unit, The Allman Brothers, Widespread Panic, The Dead, and others, will be co-headlining each show with his new band ‘The Invisible Whip,’ comprised of Jeff Sipe-Apt Q258 (drums), Matt Slocum (B3 and Clavinet), Jason Crosby (Fender Rhodes, Wurlitzer) and Kevin Scott (bass).

On The Meeting of the Spirits tour, separate sets by Herring and McLaughlin will be followed by the two joining forces for an expansive closing jam based on classic Mahavishnu Orchestra material. The tour will feature the first extended collaborations between two of world’s foremost guitarists. McLaughlin will be backed by his current band, the 4th Dimension – Ranjit Barot (drums), Gary Husband (keyboards, drums), and Etienne M’Bappe? (bass) – each an established composer and recording artist in his own right. Expect special surprise guests to be added when available.